genre: detroit
submitted: 28.08.00
updated: 28.08.00
Following on from the original Dons of Detroit - Derrick May, Juan Atkins, Kevin Saunderson, Shakir and Blake Baxter, Stacey Pullen is regarded as one of the 'second wave' of Detroit innovators, alongside Carl Craig, Kenny Larkin, Jeff Mills and Claude Young. Despite his reputation as an artiste (bohemian, pretentious, difficult), his music is probably the most accessible and dancefloor-friendly of his peer group.

If Pullen is credited with anything, it is the creation of a techno-house fusion, combining elements of Detroit, jazz, house and African rhythms, a sound very much in vogue now in the UK thanks to the 'tech-house' phenomenon, as championed by the Subterrain/Wiggle collective et al. For background info, his short biog at Submerge descibes his career progression from the '80s to now. His Detroit pedigree is confirmed in a revealing interview with Juan Atkins, Claude Young, Shakir, Kenny Larkin and Alan Oldham. Despite Pullen's brevity, the transcript makes for engaging reading as the Motor City Heavyweights discuss the past and future of Detroit techno, Europe, the Electro revival and Drum and Bass. One of Pullen's few comments is on Jungle, where he states: "I don't feel it's my calling, even though I like it and I respect it. It's their thing." Ironically, a show recorded for Detroit's Transmissions station features Pullen rinsin the drum and bass flavas.

Elsewhere, the Pullen ouvre is more recognisable. Astralwerks offers a set recorded live at the Kitchen in Dublin, accompanied by a video of revellers cavorting at a beach party (looks ace - but is it related?) Betalounge showcase an excellent set in - as ever - superb quality. Pullen's monthly residency at Solar can be heard live by visiting www.intuit-solar.com. Some sought-after studio material is also available: again, from Astralwerks, check out the gorgeous Pullen classic - 8th Wonder. Pullen's mix of Telex's I Don't Like Music (a Monoman favourite) can be heard at the SSR site. MP3.com, which incidentally carries a great (Detroit) techno archive, provides Electric Relaxation as a streaming Real file and MP3 download. Lastly, The End site provides Kosmic Messenger's Polyphonic Destruction, as part of the 100% Unreleased promotion.

For the completeists, Ravedata provides a comprehensive list of performances by Pullen around the US. Some nice snapshots of the man at The Progress festival in San Francisco are carried by the excellent ezine Skinny. K7 provides a complete track listing for the now-famous DJ Kicks mix album.

Finally, the Detroit State News carries an article on Stacey Pullen's involvement in Modulations - an award-winning documentary on the history of electronic music. Clips from the film can be viewed at Caipirinha Music. Although they don't feature Pullen himself, they do show footage of the Berlin Love Parade and a certain Genesis P. Orridge proclaiming "when in doubt, make no sense. No sense is good."

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  copyright monoman 2000